‘WAVE’ DAMASCUS WITH ZDP-189
William Henry’s patent pending Wave Damascus features a ZDP-189 core (HRC 67) clad with alternating layers of stainless steel and nickel silver. The billet, 45 layers in all, is patterned with a custom die to create the undulating waves that emerge across the bevels of the blade. This material can be dark-etched for contrast, or etched and re-polished for a more subtle pattern.
CARVED STERLING SILVER
Carved Silver is done by hand with chisels and rotary tools. William Henry works with the finest silversmiths to create elaborate (and durable) carvings in sterling silver. In many cases, we use colored sapphires and other precious stones, set in 18K gold bezels, to further decorate these masterful carvings.
FOSSIL MAMMOTH TUSK
Literally the ring section of the fossil tusk of a Woolly Mammoth that walked the Earth at least 10,000 years ago.
Modern humans coexisted with woolly mammoths during the Upper Paleolithic period when they entered Europe from Africa between 30,000 and 40,000 years ago. Prior to this, Neanderthals had coexisted with mammoths during the Middle Paleolithic and up to that time. Woolly mammoths were very important to Ice Age humans, and their survival may have depended on these animals in some areas.
The woolly mammoth is the next most depicted animal in Ice Age art after horses and bisons, and these images were produced between 35 and 11.500 years ago. Today, more than five hundred depictions of woolly mammoths are known, in media ranging from carvings and cave paintings located in 46 caves in Russia, France and Spain, to sculptures and engravings made from different materials.
William Henry’s fossil Mammoth tusk is harvested in Alaska and Siberia, often from underwater. It is a rare and mesmerizing material, a living testimony of the dawn of Mankind.